Blog
Dispatches from the work. A photograph can hold a moment. It can't always hold the argument, the history, or the doubt sitting behind it: that's what ends up here instead.
THE THEATRE OF KNOWLEDGE: a postmodern relic. Barcelona, 2025.
The Cisterna de les Aigues was built to hold water. Someone decided to fill it with books instead. I went there with a camera. I lasted ten minutes before I stopped photographing the architecture and started watching the people who weren't reading them.
THE RIGHT SIDE OF THE LI(N)E
A documentary photographer traces the recurring logic of political violence across continents and decades, and finds the same pattern every time: ordinary men convinced their cruelty was righteousness.
IN THE HEART OF THE UPRISING: two days in Kathmandu
I went to Nepal searching for myself. I found nineteen people who didn't come home. Two days inside Kathmandu's youth uprising, and the moment I understood what a camera is actually for.